Excellence in audio.
mixed by Gorran
Every artist deserves to experience their sonic world fully realised. To feel the character, depth and clarity that can bring true timelessness to your sound. There’s no reason to settle for anything less.
I can’t wait to show you what’s possible.
Gorran is a London-based mix engineer, songwriter, artist and producer.
He has been mixing records professionally for several years, with a rapidly growing worldwide client base across multiple genres of music. Grammy Award winning artists and producers trust him to deliver final mixes that meet the highest quality standards.
He has been mentored by some of the industry’s most exciting, disruptive engineers, including Grammy Award winning Jon Castelli (Billie Eilish, Harry Styles, SZA) and Teezio (Lil Nas X, Chris Brown, Victoria Monét) at Rue Boyer in Paris, and Latin Grammy Winning Dyre Gormsen (YUNGBLUD, Kenny Beats, Dodie) at Eastcote Studios in London.
Mixes
Clients have seen increased success with editorial playlisting across DSPs, national radio airplay and industry interest after working together with Gorran on their music.
My approach.
As an artist myself, I understand firsthand the anxiety that handing your art to an engineer can bring. For many artists, especially those who self-produce or who have worked with a smaller team for the majority of their career, there can be no easy way of psychologically ‘letting go’ when it comes time for the music to have a second, third, or fourth pair of ears helping to bring a much-needed fresh perspective to the finishing process. It can be daunting to imagine that those microscopic production tweaks you’ve made over days, weeks, or months could so easily be handled without proper care by a third party, who may not fully understand the original vision.
Translation is everything. The goal at mixing stage is not to reinvent - it is to fully understand and respect the intentions in the production, and bring it to a place where it can translate optimally across the widest possible span of systems and devices. I believe it is as much the engineer’s job to respect the artist’s vision, as it is to do what is technically ‘correct’. We must work together to do whatever it takes to bring the music to life.
